QUILTER'S DICTIONARY
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A
B C D E F G H I J K L M N O P Q R S T U V W X
Y Z
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Adhesive Template |
A reusable quilting guide that adheres to the quilt
top, eliminating the marking step. Once the quilting is completed along the
edge of the template, the template is removed. |
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Album Quilt |
A quilt in which each block is different. Many are friendship
projects (friends make blocks and sign them). A sampler can be referred to as
an album quilt. |
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Amish Quilt |
A quilt made in the style of the original Amish
quilts. These quilts are usually made from dark, solid colors and simple
patterns. |
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Appliqué |
The attaching of fabric to
the surface of other fabric. Appliqué can be attached by hand, or by machine. |
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Assembly Piecing |
Piecing identical units of several blocks at the same
time, as opposed to piecing each unit and completing one block at a time. |
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Background Fabric |
The foundation material, or fabric, on which
appliqués are sewn. |
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Backing |
Fabric that is used on the back of a quilt. In general,
the backing needs to be four inches larger on all sides than the quilt top. |
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Backstitch |
A machine stitch in reverse over previous stitches
to strengthen the beginning and ending of a seam. In hand stitching, a
backstitch is taken over two or more stitches for strengthening. |
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Baltimore-style Appliqué |
Appliqué patterns depicting flora and fauna,
baskets, people and architectural structures. This style originated with
Methodist ladies in |
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Baste |
attaching the layers of the
quilt together in a temporary way, in preparation for quilting or tying.
Often done with thread, safety pins, basting spray, or tack gun. |
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Basting |
A means of temporarily holding the three layers of the
quilt sandwich- top, batting, and backing - together in preparation for
quilting. Hand quilters use long loose stitches, and machine quilters use
safety pins. |
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Batik |
Hand-dyed fabric, mottled and textured by using elements. Each batik is unique as they are all painted by hand.
Batik has 'crackly' motifs on a differently colored background, but the term
has been expanded to include fabric with no motifs. |
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Batting |
The middle layer
of a quilt. This can be cotton, wool, silk, polyester, or a blend. 100%
polyester is not recommended for machine quilting as the quilt layers tend to
slip. Called "wadding" in |
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Bearding |
When the
batting seeps through the surface of the quilt. Can be caused by cheap, low
thread count fabrics, fat needles, burrs on your needles, or cheap quilting
thread. |
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Betweens: |
Small sharp needles used in
hand quilting. |
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Bias |
The direction not along the
grain of fabric. This means the direction which is stretchy. True bias is 45
degrees off from the grain of the fabric (either warp or welt). If you pull a
fabric on the bias, it will distort out of shape. Bias binding is cut so that
the length of the binding is along the bias, necessary for binding quilts
with curved edges, because of the way the bias binding stretches. |
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Binding |
The strip of fabric that goes
on the edge of the quilt and encloses the batting and raw edges. Crosswise grain or bias strips are
appropriate binding for straight-edged quilts. Curved-edged quilts must be
bound with bias binding |
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Block |
The basic unit of a quilt top. Care should be
taken that the outer edges of a block are not bias edges. Either
crosswise or lengthwise grain will work for the outer edges. |
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Block of the Month |
A quilt pattern divided
into 12 equal part that when finished you have a completed quilt top. |
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Block-to-Block Set |
A block arrangement without sashing,
set straight on the diagonal. |
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BOM |
Abbreviation for Block of
the Month |
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Border |
The outer edge of the quilt used to frame the
central section of the quilt top. Can be plain, pieced, or appliqued. |
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Calico |
A multi-colored patterned type fabric. Usually
a tiny floral print. Called "muslin" in |
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Celtic |
An appliqué technique using consistent-width, folded
bias strips to produce complex, curved geometrical designs, like those made
in 8th - 10th century |
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Chain piecing |
The recommended method of sewing patchwork on the
machine. Patches are butted up one after the other, without lifting the presser
foot, and without cutting the threads connecting them. Saves time and thread,
and avoids thread snarls. The ends of the thread only have to held when sewing the first patch. |
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Charm quilt |
A one-patch quilt where each patch is cut from a
different fabric. |
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Charms |
Small pieces of fabric of
different patterns and colors, often square and all
the same size. A charm quilt is usually composed of these charms. The goal in
these quilts is to use as many different fabrics as possible, in small squares. |
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Chintz |
A cotton fabric with a chemically applied glazed
finish. Also known as polished cotton. |
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Clip |
A small cut to ease fabric and to make it lie flat
made perpendicular to the seam allowance edge and up to, but not touching the
seam line. |
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Cornerstone |
square of fabric joining sashing to sashing |
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Crazy Quilting |
A kind of piecing where the
pieces are not cut to specific sizes, but simply sewn together in no
particular pattern. Traditional crazy quilting are thick
with embroidery and were made with scraps of silks and velvets. |
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Cross-Hatching |
A network of parallel quilting lines that run in two
directions, forming either a grid of squares or of diamonds. |
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Crosswise Grain |
threads of a woven fabric running perpendicular to
the selvage.; Crosswise grain has a slight amount of
stretch, which makes it appropriate for binding straight-edged quilts. |
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Cutting Line |
The line on which a shape is cut out of the fabric. |
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Dear Jane |
A book by Brenda Papadakis about an intricate sampler quilt made during
the civil war by Jane A. Stickle. Dear Janers make
the blocks and construct their own version of the quilt. |
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Directional Borders |
Patchwork borders that flow in a particular direction.
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Directional Prints |
A printed fabric that has a clear direction.;
There are both 1-way directional and 2-way directional prints. |
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English Paper Piecing |
A type of hand piecing
using paper templates. Fabric is basted to the paper templates and then sewn together. The paper can remain
in the quilt or be removed. |
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Fat Eighth |
A piece of fabric that
measures 9" by 22". |
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Fat Quarter |
A quarter yard of fabric, formed by first cutting a half
yard of fabric and then cutting the half yard in the other direction to make
two fat quarters.; Thus fat quarters can range from 18"; x 20"; to
18"; x 22 1/2",; depending on the width of the fabric.;; A
conventional 1/4 yard is 9 inches wide x the width of the fabric. Fat
Quarters are often a more useful configuration for both patchwork piecing and
applique, plus they don′t
wrap around the machine agitator as bad during pre-washing. |
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Feed Dogs |
The mechanical teeth on the sewing machine bed that moves
the fabric through the machine.; |
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Finger Pressing |
A method of temporarily pressing with your fingers.
Sometimes used during the preliminary steps of block construction, to avoid
stretching bias edges with your iron. |
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Finished size |
Refers to the size of a
block after it has been incorporated in a quilt top. For example; a 12.5
unfinished block will finish to a size of 12 inches. |
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Foundation Paper Piecing |
A method of assembling a block by sewing fabric
pieces to a foundation of fabric. This gives the block added stability during
piecing. Foundation piecing consists of sewing the printed fabric on top of
the foundation which is left inside the quilt. Paper piecing is sometimes
referred to as foundation piecing, but the process is different. See paper
piecing. |
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Four Patch Block |
A block design based on a 2 x 2 grid.;
A simple four-patch block will comprise of four square fabric patches. |
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Free Motion Quilting |
Machine quilting with the feed dogs down. The quilter
is thus in full control of moving the quilt and can sew in any direction. |
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Freezer-Paper Appliqué |
A technique in which freezer paper patterns are used
as seam line guides for turning under seam allowances on appliqué pieces. |
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Friendship Quilt |
A quilt made as a group project for one member of
the group, with each participant making and signing a block or more for the
top. |
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Fusible |
An applique technique that
involves adhering a webbing to the back of the
fabric and fusing the fabric to the background with the heat of the iron. |
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Fusible web |
An interfacing, thin,
treated fabric, used as a foundation for appliqué and foundation piecing.
These come in many varieties, including sticky, woven, non-woven, and gets
sticky when heated with an iron. Used to hold two pieces of fabric together. |
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Fussy Cutting |
Carefully selecting a specific area or image of the
fabric. |
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GFG |
Abbreviation for
Grandmothers Flower Garden Quilt |
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Grain |
The direction of the threads
in fabric. Threads are woven together horizontally and vertically.
Horizontally (the length of the fabric) there is no stretch. Vertically (the
width of the fabric, usually 42"-45") there is very little stretch.
Blocks are usually cut so that all the grains are parallel to the sides. This
is known as 'on-grain'. There is less distortion with ironing and general
handling. |
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Grid |
Squares of uniform size |
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Hand Quilting Stitch |
A small evenly-spaced stitch used to hold the layers
of the quilt together and to form a design on the surface of the quilt. |
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Hand-dye |
Fabric that has been dyed
by hand. Each piece is unique. Hand-dyes can be mottled and textured, multi-colored, or even colored. |
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Hand-Quilting Stitch |
A small running stitch that is made through all
three layers of a quilt. |
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Hanging Sleeve |
A tube sewed on the back of the quilt so that it can
be hung. |
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Hanging Tabs |
Small loops of folded fabric sewn to the top edge of
the quilt through which a decorative rod can be inserted. |
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Homespun Fabric |
A loosely woven fabric, usually of wool or linen,
hand-loomed from hand-spun yarns. |
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color |
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In the Ditch |
Quilting on the edge of the appliqued
shape or right next to a patchwork seam on the side of the seam with no seam allowances.; Both a machine quilting and a hand quilting
style. |
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Intensity |
The strength of a color.;
Color intensity is diluted when white, black, gray, or any other hue is
added. |
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Jewel Tones |
Vibrant, 'jewel'-like
colors; usually fully saturated (highest intensity) colors. |
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Lap Quilting |
The process of quilting blocks or sections of a
quilt before assembling it. |
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Layering |
The process of spreading out and aligning the
backing, batting and top of a quilt before basting them together in
preparation for quilting. |
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Lengthwise Grain |
threads of a woven fabric running parallel to the
selvage. A good choice for borders. |
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Loft |
A term used to describe the thickness, height, and
resilience of the quilt batting |
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Log Cabin |
A quilt pattern in which narrow fabric strips or
logs surround a center square to form a block. |
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Long Arm Quilting |
Machine quilting using a commercial long arm sewing
machine. Fundamentally different than
standard machine quilting on a domestic machine, as in this system the
machine head is moved, while the quilt is held stable. The three layers on
the quilt are set up on a roller system, which makes basting unnecessary. |
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Marbled |
A not-quite solid fabric
that is a tone-on-tone with a kind of 'marbled' effect, sort of like swirling
clouds. The most famous are the Moda Marbles, which come in many different
colors. |
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Meander Quilting |
machine quilting a loose meander throughout the
quilt top. Similar to stippling but the quilting lines are much further
apart. Does not require marking, and is done on both domestic and long arm
machines. |
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Medallion Quilt |
A quilt with a center block surrounded by multiple
borders. |
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Miniature Quilt |
A small-scaled reproduction of a full-size quilt. |
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Mitered Corner |
A method of making borders by joining a Vertical and
Horizontal Strip of fabric in a 45 degree angle. |
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Mitered Seam |
A 45-degree angle seam that is most often used when
joining borders at corners. |
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Muslin |
A plain cotton fabric available bleached or unbleached.; Called "Calico" in |
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Needling |
The process of inserting the needle through the
layers when hand quilting. Fabrics and batting are sometimes described in
terms of ease or difficulty of needling. |
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Nine Patch Block |
A block design based on a 3 x 3 grid.;
A simple nine-patch block will comprise of nine square fabric patches. |
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On Point |
A block arrangement in which a block is placed with
its corners up and down and to the sides. |
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One Patch Quilt |
Any pieced quilt pattern that uses a single patch shape. |
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Paper Piecing |
See: Foundation paper
piecing and English paper piecing. |
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Patch |
An individual fabric shape joined with other patches
to make a block or a quilt. |
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Patchwork |
The network of small pieces of fabric sewn together to
form a larger piece. Creating patchwork is called piecing. |
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Patis |
plastic hexagons made by Pati Shaumbaugh for
constructing hexagon-based quilts. Example; Grandmother's Flower Garden. |
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Pieced Border |
A long strip of fabric of patchwork units to be
joined to the inner quilt. |
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Piecing |
A process of sewing together pieces of fabric by
hand or machine to make patchwork. |
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Prairie Points |
Folded fabric triangles used as an edge finish. |
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Prewashing Fabric |
The process of rinsing fabric in hot water with or
without detergent to shrink it and remove sizing before cutting and piecing.
After drying, steam-iron fabric. |
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Quilt sandwich |
the three layers of the quilt together:; quilt top, batting,
and backing |
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Quilt top |
the top layer of the quilt sandwich.;
Can be pieced, appliqued, a combination of piecing
and applique, or whole cloth. |
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Quilt-as-you-go |
A quilting/piecing process
which incorporates sewing together blocks and quilting it at the same time. |
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Quilting |
The small running stitches that hold the three
layers of a quilt together. |
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Quilting frame |
A large free-standing floor apparatus made of wood
or plastic tubing used; to hold the three layers of the quilt together during
the hand quilting process. |
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Quilting Guide |
A sewing machine attachment that helps to space rows
of straight stitching more evenly. |
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Quilting hoop |
A circular, square, or oval apparatus made of wood
or plastic tubing used to hold the three layers of the quilt together during
the hand quilting process. |
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Quilting Stencil |
A firm one-piece guide that contains the quilting
designs in a cutout format. A marking tool is inserted through the cutout to
transfer the quilting design onto the quilt. |
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Quilting Template |
A solid, firm pattern of one quilting motif. |
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Quilting Thread |
A cotton or cotton-covered polyester thread, heavier
than ordinary sewing thread. |
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Rag Quilts |
A quilt, usually using
flannel, whose raw edges of seam allowances are exposed and then cut to form
a fringe. |
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Raw Edge |
The unfinished cut side of fabric. |
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Rotary Cutter and Mat |
A fabric cutting tool with a circular blade that
cuts through several layers of fabric at once. It is best used with a clear
plastic ruler as a quilting guide. A cutting mat is essential to protect the
work surface and preserve the blade's sharpness. |
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Round Robin |
A quilt exchange where an
entire top is passed around and each member of the round robin adds on pieces
to the top forming a large quilt top. |
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Sampler Quilt |
A quilt constructed of a collection of blocks in
different patterns, usually with no pattern repeated. Blocks may be the same
or different sizes. |
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Combining the quilt top,
batting and the backing in preparation of quilting. |
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Sashing |
A strip of fabric used between blocks to set them
together. |
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Scant 1/4" |
One or two threads shy of a
1/4" seam allowance. |
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Scrap/Scrappy Quilts |
Patchwork or appliqué quilt
done with many different fabrics. Usually made from scraps left over from other
quilts. |
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Seam Allowance |
The distance between the cut edge of the fabric and
the stitching line.; In quilting, the seam allowance
is usually 1/4 inch. |
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Selvage |
The finished edges of the woven fabric. Along
the lengthwise grain.; The selvages should be cut
off and not included in the seam allowance. |
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Setting |
the arrangement of completed blocks forming the
quilt top. |
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Setting square |
A plain fabric square used to set completed
patchwork or applique blocks in a quilt top. |
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Shade |
A graduation
of a color made by adding black to lessen its saturation.;
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Sharps |
Longish, thin, sharp
needles used in hand-appliqué. |
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Stack 'N Whack |
A book and process by
Bethany Reynolds. Using fabric repeats and cutting multiple layers, when stitched together they form
kaleidoscope effects. |
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Stash |
The contents of one's
fabric collections. |
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Stippling |
Very closely
stitched background quilting.; Can be done by hand
or machine. |
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Straight of grain |
lengthwise or
cross grain.; Not bias. |
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Strip Piecing |
A technique in which strips of fabric are cut and
joined lengthwise to form a strip set of fabric strips that resemble striped
fabric. The strip set is cut at intervals across seam lines to form segments.
Joining these segments to form block units is also called strip-piecing. |
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Swap |
A group of people who get
together and exchange quilt blocks or fabric. |
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Template |
A shape cut from
cardboard or plastic used to cut units of a pattern for patchwork or applique. |
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Thimble |
A metal or leather finger shield to protect the
finger from needle pricking during stitching. |
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Tied Quilt |
A type of quilt in which yarn or thread ties are
used to secure layers of the quilt, instead of quilting stitches. |
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Tint |
A gradation of
a color made by adding white to it to lessen its saturation.;
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Tone |
A graduation of
color made by adding gray to it to lessen its saturation. |
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Tone-on-Tone: |
Fabric comprised of
different tones of the same color, such as dark red flowers on a lighter red
background. |
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TOT |
Abbreviation for Tone on
Tone, such sa green on green, blue on blue, etc |
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Tying: |
Attaching the sandwiched
layers together by tying knots at certain intervals. |
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UFO |
Abbreviation for Unfinished
object – a project started but not yet finished. |
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Unfinished: |
Usually referring to the raw
size of a quilt block after it is pieced together but before it is sewn to
another block. |
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Utility Quilt |
A quilt made for everyday use, generally in a
similar pattern involving no elaborate sewing skills. |
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Value |
The lightness or
darkness of a color. |
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Walking Foot |
A necessary
sewing machine accessory for straight-line machine quilting and binding.; Ensures an even feed of the three layers of the
quilt. |
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Whole Cloth Quilt |
Quilt top that
is composed of one fabric only.; Minimal piecing may
be required if the quilt is wider than the fabric.; Usually a solid fabric is
used in order to display the quilting. |
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WIP |
Work in Progress |
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WOW |
Abbreviation
for White On White |
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